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Final Cut Pro X

  • 5.4
  • Not bad
  • 578
  • 8
  • Very good
  • Very good
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Trial version
  • Mac
Latest version:
10.2.2 04/09/15
Last month's downloads:
1.4 GB

Final Cut Pro X is fully compatible with:

  • Mac OS X

You'll also need:

Minimum requirements
Processor: Intel Core 2 MHz
Memory: 2 GB
Video: Intel HD Graphics 3000 256 MB
Free space: 2,4 GB
Screen resolution: 1280x768
Others: OS X 10.6.8+ 64-bit Intel processor 2GB RAM (4GB recommended) OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM, display with 1280-by-768 resolution or higher.
Final Cut Pro X is also compatible with

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Available languages

  • English
  • German
  • French
  • Japanese


Only available for 30-day trial.

The all new Final Cut Pro for Mac

Nick Mead

Recent changes

  • Trial only available in version 10.0.6. Full version is 10.0.7 with following changes:

  • The Letterbox effect "Offset" slider has been restored
  • Fixes an issue when creating a single layer DVD
  • Fixes an issue where some third-party effects could cause Final Cut Pro to hang during background rendering
  • Fixes an issue where some third-party transitions would incorrectly use black instead of source media
  • Adds support for editing MXF files that are still ingesting
  • Fixes an issue rendering Motion Templates containing Image Units

Review last updated: 17/12/12

  • Rewritten from the bottom up
  • Slicker, simpler Cocoa interface
  • Designed for 64-bit Macs
  • New Magnet Timeline
  • Full screen mode in Lion
  • Very fast
  • Interface may have been oversimplified for professional tastes

Revolutionary video editing. Powerful media organization. Incredible performance for 4K video. The future of post-production is here.

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Revolutionary video editing.

Built to meet the needs of today’s creative editors, Final Cut Pro breaks free from the restrictions of old-fashioned timeline tracks. A dynamic editing interface lets you experiment freely while working with extraordinary speed and precision.

Magnetic Timeline

With a visual simplicity that reveals powerful professional tools just when you need them, the Magnetic Timeline in Final Cut Pro offers an exceptionally fluid, flexible way to edit. Assemble shots with ease as clips “magnetically” close up to eliminate unwanted black gaps in the timeline. Similarly, clips move out of the way to avoid clip collisions and sync problems.
If you prefer to work with traditional, non-rippling editing behaviors, you can use the Position tool to build your timeline.
Interactive animations show you exactly what’s happening as you work, so you can easily try out new ideas.


Assemble sophisticated multicam projects with unprecedented speed and flexibility using Final Cut Pro.
The 64-bit engine allows you to work natively and in real time with a variety of formats, frame sizes, and frame rates. Create a Multicam Clip by automatically syncing up to 64 angles of video and photos, or choose custom sync options to precisely align footage based on time of day, timecode, markers, or audio waveforms.
To adjust a Multicam Clip, double-click to open it in the Angle Editor, which lets you move, sync, and edit the look of individual clips. When it’s time to cut, simply drop the Multicam Clip into your project and click in the customizable Angle Viewer. Or use keyboard shortcuts to seamlessly switch between video and audio on the fly. You can even combine audio channels from multiple cameras with just a click.

Multichannel audio editing

Edit multichannel audio faster than ever — right in the timeline. A simple keystroke lets you expand any audio file in place so you can view its separate components. Easily enable or disable entire channels, select ranges to adjust timing and volume, and use the embedded audio fade handles to quickly smooth transitions. For a complete view of your audio file, access the Inspector, where you can rename and hide individual channels. And if you’re working with Multicam Clips, you can switch between and combine multiple audio sources with a click.

Clip Connections

Clip Connections make it simple to place clips such as B-roll, sound effects, and music in the timeline so they all move together as you make changes — even in the most complex projects. Final Cut Pro automatically creates a Clip Connection when you drag a secondary element to the timeline.
It’s easy to reorganize your story as you work, because you can move a section of your project in a single step. Or press a modifier key to keep Connected Clips locked in place as you rearrange clips in the Primary Storyline. Clear visual connections make it easy to hand off a project to another editor or resume editing at a later date.

Compound Clips

Compound Clips are automatically saved back to the Library, making it easy to reuse them in other projects — for example, when designing a unique sound effect with layered audio. And Compound Clips work just like Multicam Clips, so changes you make in the Browser instantly ripple across your projects.

Inline Precision Editor

The Magnetic Timeline improves on traditional ways of trimming, including ripple, roll, slip, and slide edits. If you need additional control, double-click an edit to open the Precision Editor and make trims directly in the timeline. The Precision Editor expands your view of the edit point so you can see both used and unused portions of your clips. Then skim entire clips and adjust edit points with a click.


With the unique Auditions feature, you can collect multiple alternative shots at a single location in the timeline and quickly cycle through them in context. Test different B-roll shots, different reads of the same lines, different color grades for the same shot, or different effects. Or use Auditions to create multiple versions of your project for different deliverables and venues. It’s easy to create an Audition — simply drag shots of any length to the same place in the timeline and choose “Add to Audition.” As you try out different shots, the Magnetic Timeline keeps everything in sync.

3D Titles

Choose from simple animated 3D templates or use cinematic templates with built-in backgrounds to create stunning looks in one click. Customize with hundreds of materials, realistic lighting options, and text styles. And instantly open any title in Motion for total control.

Color Grading and Masks

Use the Color Correction effect to quickly grade your image, with the ability to simultaneously view up to four separate scopes. Apply Shape, Color, and custom Draw masks to pinpoint effects to specific areas of the frame. And save any effect as a preset to easily reuse later.

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